Double bass player Jon Wagenman makes plans for life after Otterbein
He seems to have done it all, but now all he wants to do is play double bass.
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He seems to have done it all, but now all he wants to do is play double bass.
This could be the biggest holiday season ever for video games as big-time franchises push out sequels and classic games get an HD upgrade. Headlining the holiday season is the battle between “Modern Warfare 3,” the predecessors of which broke sales records, against “Battlefield 3,” which has players looking to take their gaming to a more team-based objective style of play. This season is shaping up to be one that will leave gamers with tough decisions on what to buy.
Thank you Steve Jobs. Thank You.
Billy Beane was given a lot of crap for going with a fresh graduate from Yale over decades of baseball experience. This is the story of his decision.
The new seasons of many television shows are right around the corner. With everything going on in the life of the typical college student, sometimes episodes of your favorite show are missed. Here is a guide to ensure that won’t happen.
During Otterbein’s First Friday Festival, members of Otterbein’s fraternities and sororities performed a flash mob outside in the heat to a mix of popular music in order to promote Greek life on campus.
The terrorist attacks on September 11, 2001, shook our country to its core. Many people were affected, directly or not, and everyone dealt with their emotions in his or her own way. Some mainstream musical artists shared with the world some beautiful songs about the ugliest of days. Here are just a few of those. The page is laid out to honor the fallen ones, signifying filling the empty void by those left behind.
After several years of disappointment with the Madden franchise I must say that this season I’m highly impressed with Madden ’12. The game has a lot of the features that a long time Madden player like myself has been asking for and I couldn’t be happier.
After his performance at Cowan Hall, motivational speaker and creator of the hit viral video, “The Evolution of Dance,” Judson Laipply spoke with arts and entertainment editor Steven Collins about speaking in public, “The Evolution of Dance” and the effect the Roman Empire has had on modern social media.
Otterbein’s chapter of The Music and Entertainment Industry Student Association (MEISA) hosted the first Cardinal Launch Concert on the lawn behind the Campus Center Aug. 27.
What happens when the town you’ve lived in your whole life is destroyed by a mythical being too powerful for you to handle? If you’re like electric superhero Cole McGrath, you flee the city to gain new powers and try to destroy the thing that took away your life.
For many students, that second hangover was easier to deal with than the first. However, that is not the case with the original film's sequal "The Hangover Part II." Two years following the conclusion of the events of the first "Hangover" film, "The Hangover Part II" takes off as Stu (Ed Helms) is set to be married to his Taiwanese fiancee Lauren. Not wanting a bachelor party, he has a bachelor brunch instead, which doesn't go over well with Phil (Bradley Cooper) or Doug (Justin Bartha). On the urging of Doug, Stu reluctantly invites Alan (Zach Galifianakis) to his wedding. After arriving in Thailand for the wedding with everything set to go, the guys convince Stu to have one beer and a bonfire two nights before his scheduled date down the aisle. Before Stu joins his pals, he runs into his fiancee, who kindly asks him to allow her brother Teddy to join in the festivities. Stu agrees, trying to impress her father. Flash forward to the next morning in Bangkok, when they realize things have gone horribly wrong. I kept thinking during the movie that a lot of similarities existed between the script for part two and the original movie. I was right; after re-watching "The Hangover," I realized that the two scripts were largely the same. Truth be told, with "The Hangover Part II," I was expecting a little bit more. What I saw were the same old jokes with slightly different variations in a new city. Someone loses a body part, the main characters are lost in a strange city they know nothing about and cannot remember the night before, they visit a rather shady strip club where Stu gets lucky and several other similarities. I was highly disappointed in the lack of a "What's the capital of Thailand?" joke. I kept waiting and waiting and waiting for this overtly childish behavior , but it never came. Part two was more physically vulgar than the first, with way more full frontal male nudity. (Way too much if you ask me.) I was at times utterly grossed out, almost to vomiting at one point. Don't get me wrong, the movie was funny and even hilarious in some parts, but it just lacked the originality that set the first movie apart from all the other comedies of 2009. I can see why the first movie received such high regard from audiences and shattered many records , but I just wanted new jokes and perhapsa storyline that wasn't too similar. It wasn't all bad. Ken Jeong's expanded role was one of the few things that kept the plot from getting too stale. While not even the slightest bit politically or socially correct, it's still funny to hear him make fun of Stu, Phil and Allen in that one particular way. I was impressed with the actors' performances not necessarily because they were over-the-top or because they brought new and innovative comedy all the time, but just because of what working in Thailand was probably like, and because Ed Helms worked for two weeks with a horrible case of food poisoning. While I'm not in charge of Warner Bros.' budget, I must say that Mike Tyson's five-minute cameo was worth every penny of the $200,000 they paid him. Without giving too much away, I'll say that he lightens up what could be just a filler scene, making it enjoyable to watch. Overall, the movie is funny and has its moments, but it could have been even better with an altered script and more freedom given to the actors. "The Hangover Part II" is a buddy comedy at its best, and not at all a movie for date night.
Not even the legendary Thor can always defeat poor cinematography. The film adaptation of the Marvel superhero stars Chris Hemsworth as Thor, a powerful warrior that wields a large hammer; Natalie Portman as astrophysicist Jane Foster; Tom Hiddleston as Loki; and Anthony Hopkins as Odin, Thor's father and the king of Asgard, a fabled realm where warriors possess exceptional power. In the movie, Thor is banished from Asgard after disobeying a direct order from his father that causes a war between two powerful realms. Upon being banished from Earth and losing his powers, Thor befriends a scientist who rescues him and shows him how to act like a human. With the hurt that banishing Thor caused and the impending war, Odin is so grief-stricken that he goes into an "Odinsleep," which is similar to a coma and lets him recover from his pain. This causes Thor's friends and fellow warriors to go to Earth to bring him back. Upon their visit to Earth, Asgard falls into the wrong hands and Thor must save Asgard from war and Earth from destruction. The story was really good, but what else can you expect from Marvel characters? The producers made a fantastic decision to cast Hemsworth in the role of Thor. Hopkins also made for a very believable Odin. Portman, in her smaller role, wasn't too shabby either. The one performance that must be applauded is that of Hiddleston, who gave a great performance and kept his character's true intentions hidden from the characters and the audience. "Thor" can be commended on its use and quality of special effects and CG animation. The explosions and various other worldly characters were very believable and weren't too over the top like other superhero and fantasy films in the past. In one especially impressive scene, a large robot-like warrior with a laser that shoots out of its head makes the journey from Asgard to Earth, where it destroys the small town where Thor found himself after his previous banishment. However, the story cannot offset the horrible framing of the movie. There was plenty of action in the movie, but all the action scenes were filmed too tightly and too many cuts were made, both of which made the scenes almost physically painful to watch. It seemed as though the director wanted to put the audience member directly in the middle of the fight, but it was done rather poorly. Having been someone who's studied film and taken video production classes, I might be nitpicking here, but it's something that is important to me. If they had taken a cue from the first Iron Man and Spider-Man movies and framed the action scenes from more of a distance, it would have made for a more interesting and enjoyable experience. Another thing that I didn't care for in this movie was the lack of a climactic scene that really stood out in my mind. There were several good moments in the movie and plenty of what I'll call skirmishes, but there wasn't a 15-minute skull-bashing scene that resembles Spider-Man vs. Green Goblin, the Autobots vs. the Decepticons from the first Transformers or Mark I vs. Mark IV from "Iron Man." Most of those scenes had good 10-15 minute battles; Thor's final battle seemed to last seconds, but in actuality was probably only a couple minutes. All in all, it's a pretty good story that anyone can enjoy as long as they bring Dramamine to help with the motion sickness. t&c;
"Fast Five" brings together many of the great characters from the first four "Fast and Furious" movies for "one last job." The movie centers around wanted fugitives Dominic "Dom" Toretto (Vin Diesel, "The Pacifier," "xXx"), Brian O'Conner (Paul Walker, "Eight Below," "Takers") and Mia Toretto (Jordana Brewster, "Annapolis") and their quest to put an end to their running. While on a job, Dom, Mia and Brian are betrayed by their associates while they try to steal a few cars off of a fast-moving train. Chaos ensues, and a few federal agents with the FBI are killed, moving the trio to the top of the most-wanted list in America. The FBI sends in Luke Hobbs (Dwayne Johnson, "The Game Plan, "Walking Tall") and his team to apprehend the newly most wanted. To finally put an end to all the running, Toretto and O'Conner devise a plan to rob the most powerful man in Rio of $100 million. To do so, they put together a team that consists of Han Lue (Sung Kang, "Ninja Assassin"), Roman Pearce (Tyrese Gibson, "Transformers"), Tej Parker (Ludacris, "Gamer"), Gisele Harabo (Gal Gadot), Tego Leo (Tego Calderón) and Rico Santos (Don Omar), all of which were in previous "Fast and Furious" movies. The filmmakers started "Fast Five" right where "Fast & Furious," the fourth film, left off, with the gang making an attempt to break Dom out of a prison transport. Starting the movie with this scene was a great idea, as it brought instant action to the movie and sucks the audience in right from the get-go. I was completely blown away with how much they upped the ante. The explosions, the stunts and the car chases were all ramped up to 11, and not one scene lags behind. There is enough comedy, especially from Gibson, to offset the dramatic parts or to distract you from an impending action scene. While the stunts and the car chases, explosions and gunfights were all really good, the thing that I liked most was how the writers tied "Fast Five" to the first movie. At the end of "The Fast and the Furious," the first film, Brian, an FBI agent at the time, was supposed to arrest Dom. After racing and one car being completely crashed, Brian said to Dom, "Someone's gotta take the fall." And then Brian lets Dom go without an arrest. Without giving too much away, a similar scene happened toward the end of "Fast Five," which really helped ground the movie. For those that are new to the franchise and worried that they won't understand the plot, fear not; with the exception of two short sequences, you won't miss a beat. The movie is framed nicely, and almost everything that is needed for the story to make sense is written into the script. Then there are the cars. While they aren't brought to the forefront as they were in the previous films, they still play a big role. The cars include Dom's famous, perhaps infamous, 1970 Dodge Charger, two 2010 Dodge Chargers, Brian's 1972 Nissan Skyline, a Porsche GT3 and several 2011 police Chargers. But by far the most awesome vehicle in "Fast Five" wasn't a car; it's Luke Hobbs' Gurkha F5, a military-armored assault truck that's built on a Ford F550 frame and souped up for maximum power and speed. While the cars are awesome, I must say that the settings are the best part of the movie. The film is set in the city of Rio de Janeiro, but principle photography was taken in Puerto Rico and other parts of Brazil, all of which look very similar to Rio and make it very plausible that the story is actually taking place there. I've read plenty of places on the Internet in which people are convinced that there will be another "Fast" movie. I can definitely see that for two reasons. First, there is a gaping hole between "Tokyo Drift," the third movie in the franchise, which takes place later in time after "Fast Five," and where the film left off at the end of "Fast Five." Second, be sure to stick around after the credits. You see a cameo by Eva Mendes, who was in the second film, and we learn that (spoiler alert) Leticia "Letty" Ortiz, Dom's girlfriend played by Michelle Rodriguez, who is presumed dead by Dom in the fourth movie, could still be alive and pulling jobs. "The Fast and the Furious" franchise is one of the stronger current franchises, and if its makers decide to continue making such high-caliber movies, I don't see how they could go wrong with another. All in all, anyone who's a fan of thrilling action sequences, car chases and beautiful women will enjoy "Fast Five."
While both the NFL Players Association and the individual team owners decide on a new collective bargaining agreement, the fans are all left in limbo as millionaires and billionaires argue over some hot-button NFL issues and try to get a new deal done before it becomes too late in the year to have a normal season. As an NFL fan of more than a decade, I pretty much have my Sundays reserved for watching football and all the various things that coincide with that, like playing fantasy football and enjoying buckets of wings and/or pizza. While I think there will be a season this year, I do have plans should the players and the owners not get their act together in time. Read. I'm halfway through literally 20 books, many of them started back in my freshman year, including both of Bill Simmons' newest titles, Tony Dungy's "Quiet Strength" and Jimmy Carter's "Our Endangered Values." I'll probably have to start over on most of them. Play the game. I've always had a profound enjoyment for playing the game of football, whether it's tackle, touch or flag. I've got enough friends that seven on seven might not be out of the question. Play Nerf wars. If I don't have 13 friends that are available to play a game of touch or tackle, I'm always up for some Nerf-gun-inspired fun. Capture the flag is given a whole new element when you play with Nerf guns, which should lead to hours of fun. Play "Madden NFL 11." If there is a continued lockout and no labor agreement, then EA Sports will have to trash Madden 12, leaving Madden 11 as the most up-to-date. If it's not nice outside, or negotiations last deep into the fall and early winter, then I would be inclined to pick up the controller and challenge my friends on the Internet. Color. I greatly enjoy the fine art that is crayons on paper. Work. The way I see it, if Sundays are open for me, then I'd like to make some money. If I'm making money, then I'm not spending it. Pick up a new hobby. I've always wanted to be able to knit. I can never seem to find a good pair of mittens or a warm and comfy scarf. I also wouldn't mind working on my hiding skills because you never can tell when those might just come in handy. Call Mommy dearest. My mom rocks. She deserves a Sunday call. t&c;
I play "Call of Duty" regularly. While that doesn't make me a military genius or really mean a whole heck of a lot in the grand scheme of things, I do feel in this instance it gives me a bit of expertise in the area of tactics and gaining the element of surprise. Here are some tips to help you be the best HvZ player when the game starts on Sunday at midnight. Every person playing the game should know the rules to the latter. The old adage "Know the rules before you can break them" really applies. While hiding your bandana with similar colored clothing may be a good tactical idea, the rules state that this is frowned upon (but not entirely illegal). However, knowing your color wheel is really helpful here. You can wear colors that are next to each other like red and orange, or blue and purple. Try not to wear any bright colors that might attract attention. Game players should know that the center of the Courtright Memorial Library, where there is a large amount of foot traffic, will be a hotbed for activity and a highly populated zombie zone. You should also try and change up your routes to your classes and places that you regularly go. Becoming predictable makes you an easy target. Here are some dos and don'ts for your Humans vs. Zombies experience: DO — Wear normal clothing and dress like you normally would. You won't stand out in a crowd. DON'T — Wear camouflage clothing. It won't hide you at all; it will make you stick out more. That is unless you plan on playing deer vs. zombies. DO — Pay attention to your surroundings. Be more aware when entering and exiting buildings. DON'T — Listen to your MP3 player while in public. It takes away one of your senses needed for zombie evasion/human hunting.
Written by Otterbein graduate of 1973 Carter Lewis, "The Storytelling Ability of a Boy" is about the dramas of high school. The play's small cast stars Polly Levi as Caitlin, James Scully as Peck and Lili Froehlich as Dora, and is directed by theatre and dance professor Dennis Romer. "The Storytelling Ability of a Boy" centers around two friends Dora and Peck, who are too smart for their own good. Their teacher Caitlin, who's intelligent in her own right, tries to teach them that there are things that they still don't know. Sophomore theatre major Froehlich said, "It deals with teen bullying and the psychological stress it places on the victims that often goes unrecognized in our society until it's too late. It brings light to touchy subjects teenagers deal with. It isn't afraid to tackle those issues, and at times, throw them in the audience's faces. It's brimming with honesty and passion." Freshman theater major Scully said, "I think this show, more than being about outcasts, is about love and how scary and unpredictable it can be. And I think that people will leave this show feeling more appreciative of those close to them. This show is about people you can count on, and learning to appreciate them and accept them as they are, damaged and crazy." The play includes adult language and sexual situations that may offend some viewers. Froehlich and Scully believe that while the play is somewhat risqué, it will be an enjoyable experience for some people. "I feel like it has something that appeals to everyone," Scully said. "There's humor, suspense, tragedy, betrayal and romance. There's a very loud orgasm in the first five minutes. But in all seriousness, especially for students on a college campus, this show is extremely relatable. I think that Otterbein students will really get these characters." Froehlich said, "There is an orgasm in the first scene, partial nudity in the middle of the show and a lesbian kiss later on. But in all honesty, it is a moving story about two teenagers that are too smart for their own good that get way too involved with a teacher. It deals with sexual frustration and confusion, bullying and revenge … It truly appeals to any young adult and/or adult with an open mind." While the play does center around topics that may be uneasy for some, the cast is enjoying the practices and cannot wait until the show debuts tonight. "It's been so fun," Froehlich said. "My character is so different from who I am that is has been fun getting to know her. It's always fun playing someone besides yourself for a period of time, and it lets me escape reality. Who doesn't need a break from real life every once in a while?" Scully said, "I've been so blessed to get to perform in a main stage as a freshman, and getting to know how Otterbein theater does it has been so exciting. I've also had so much fun with this script." Performances of "The Storytelling Ability of a Boy" are starting today, April 28, until April 30 and again on May 6 and 7 in the Campus Center Theatre, also known as the Pit. All shows are at 8 p.m. except opening night, which starts at 7:30 p.m.
Ever wonder what happens to the brain just before you die? If given the opportunity to change the outcome of a tragic event, would you try to change it? With "Source Code," those are some questions you might be able to answer. "Source Code" stars Jake Gyllenhaal ("Brokeback Mountain," "Jarhead") as Capt. Colter Stevens, who is put into the Source Code program to stop a terrorist attack; Michelle Monaghan ("Eagle Eye," "Mission: Impossible III") as Christina, Stevens' love interest; and Vera Farmiga ("Up in the Air," "The Departed") as Capt. Colleen Goodwin, an Army intelligence officer who runs the technology of Source Code. Stevens wakes on a train sitting across from a woman he doesn't know and is left with a ton of questions after discovering that he is not who he thinks he is. After trying to figure out where he is and why Christina is calling him Sean, the train blows up and he is killed — or so it seems. He then comes to as if waking from a bad dream and realizes he's back in the current time. He learns from Goodwin that he was inserted into a program that downloaded the last eight minutes of the life of a dead man who was on the train and that he must stop a terrorist attack from happening, but each time he goes back he starts in the same place and has only eight minutes before the program ends. After watching this film, all I could say was wow. I was completely blown away by the story and the acting (especially on the part of Gyllenhaal). I kept guessing the entire time and actually didn't even see the movie going the way it did. There were so many great lines and powerful metaphors for life, living the right way and choosing your own destiny no matter how against-the-odds it might seem. One of the first things I noticed was the way the sound of the explosions was balanced. Normally in thrillers or action flicks, you get really loud booming sounds that almost try to scare you into an emotion, but with "Source Code," this was not the case. The audio engineers didn't jack the volume up to 11, which helped the movie flow a little better with some down-to-earth realism. I can somewhat compare "Source Code" to the 2008 movie "Vantage Point" in that just as I thought the twists were all over, "Source Code" would throw another one at me, and then another one, and then another one. After originally watching it for the first time, I decided to catch another showing to make sure I didn't miss anything. Normally I'm really good about paying very close attention to small details, but "Source Code" was excellent at not leaving any breadcrumbs that could spoil the story. I was on the edge of my seat the entire time, not knowing what to expect from one moment to the next, but I can predict that not even the greatest of movie sleuths will be prepared for where "Source Code" takes them. I guess I can conclude only by saying that "Source Code" is now in my top three thrillers of all time and that it's a must-see for those who can take a mind-numbing quantum physics conundrum that frankly I'll probably still be thinking about while you're reading this.
"Source Code" stars Jake Gyllenhaal ("Brokeback Mountain," "Jarhead") as Capt. Colter Stevens, who is put into the Source Code program to stop a terrorist attack; Michelle Monaghan ("Eagle Eye," "Mission: Impossible III") as Christina, Stevens' love interest; and Vera Farmiga ("Up in the Air," "The Departed") as Capt. Colleen Goodwin, an Army intelligence officer who runs the technology of Source Code. Stevens wakes on a train sitting across from a woman he doesn't know and is left with a ton of questions after discovering that he is not who he thinks he is. After trying to figure out where he is and why Christina is calling him Sean, the train blows up and he is killed — or so it seems. He then comes to as if waking from a bad dream and realizes he's back in the current time. He learns from Goodwin that he was inserted into a program that downloaded the last eight minutes of the life of a dead man who was on the train and that he must stop the terrorist attack from happening, but each time he goes back he starts in the same place and has only eight minutes before the program ends After watching this film, all I could say was wow. I was completely blown away by the story and the acting (especially on the part of Gyllenhaal). I kept guessing the entire time and actually didn't even see the movie going the way it did. There were so many great lines and powerful metaphors for life, living the right way and choosing your own destiny no matter how against-the-odds it might seem. One of the first things I noticed was the way the sound of the explosions was balanced. Normally in thrillers or action flicks, you get really loud booming sounds that almost try to scare you into an emotion, but with "Source Code," this was not the case. The audio engineers didn't jack the volume up to 11, which helped the movie flow a little better with some down-to-earth realism. I can somewhat compare "Source Code" to the 2008 movie "Vantage Point" in that just as I thought the twists were all over, "Source Code" would throw another one at me, and then another one, and then another one. After originally watching it for the first time, I decided to catch another showing to make sure I didn't miss anything. Normally I'm really good about paying very close attention to small details, but "Source Code" was excellent at not leaving any breadcrumbs that could spoil the story. I was on the edge of my seat the entire time, not knowing what to expect from one moment to the next, but I can predict that not even the greatest of movie sleuths will be prepared for where "Source Code" takes them. I guess I can conclude only by saying that "Source Code" is now in my top three thrillers of all time and that it's a must-see for those who can take a mind-numbing quantum physics conundrum that frankly I'll probably still be thinking about while you're reading this.
What happens when you throw a housebroken chameleon into the Wild West? You get the newest Paramount Pictures movie, "Rango." The computer-generated movie stars Johnny Depp ("Pirates of the Caribbean," "Public Enemies") as Rango, a chameleon that, after being thrust into a foreign land, must learn the ways of a struggling community. The movie is set in the Wild West during a drought, and Rango, who wants to be a movie star, decides to don a fictional persona to help the townspeople. Coming to the aid of Beans, a desert iguana (Isla Fisher, "Wedding Crashers") who doesn't want to lose her father's farm, and Priscilla, a cactus mouse (Abigail Breslin, "Zombieland," "My Sister's Keeper"), he makes it his mission to find out where their water has gone, since the "bank" only has approximately five days left, and thus comedy and adult drama ensue. I could tell from the previews that this wouldn't be a Disney-esque movie reminiscent of "Toy Story" or "Finding Nemo." "Rango" is way more "Family Guy" than "Sesame Street." I was definitely shocked by the amount of children in the theater and how many of my fellow reviewers felt the need to call "Rango" a family comedy. While I can understand their logic ("Rango" was produced by Nickelodeon Movies, a children's network), I must shout from a mountaintop the question, "What were they thinking?" Several minutes into the movie I was distracted by several small children displaying their displeasure when their parents forced them to leave. While I didn't consider the film to be provocative, raunchy or even remotely offensive, it just didn't have themes or references children could pick up on. Some of the biggest laughs came from those in attendance that were of college age. Generally, the story flowed very nicely and didn't seem to take forever or move too fast. I didn't catch myself constantly looking at my phone, nor was I saying to myself, "When is this part going to end?" One of the things that really made "Rango" enjoyable was the several points of homage to John Wayne and Clint Eastwood films of the past. I also enjoyed the occasional breaking of the fourth wall (when a character speaks directly to the audience), which I feel helped to liven up the movie and keep it from becoming too stale and predictable. Another interesting aspect that I kept an eye on during the movie was the realism of the physical emotion and the movement. I think that the way this movie was produced, by having the actors perform on a soundstage rather than in sound booths, really helps the dialogue and creates this liveliness that you sometimes don't get from animated films. This was a brilliant idea by the director, Gore Verbinski, and all animated movies going forward should be produced this way, especially ones that depend on the actors' abilities to translate emotion to help enliven a scene. Johnny Depp was at his best playing the lead, and he really overshadowed Fisher, who delivered an OK performance, but not one that will be too memorable. Not to be outdone, Breslin's character, however brief an appearance she made, was enjoyable, believable and worked really well, mostly due to Breslin's good Western accent and the well-written dialogue. This is one of those characters that can actually make or break a movie. The rest of the supporting cast was good, but not overpowering. But by far, one of the best characters and parts of the movie is when Rango meets the Spirit of the West. Timothy Olyphant voices a character that is modeled after Clint Eastwood and gives a similar performance to the one that Eastwood gave in "The Good, the Bad and the Ugly." At the point when Rango is at his lowest and confused about what to do, the Spirit of the West points him in the right direction, saying, "No man can walk out on his own story." This was a good, entertaining adult movie that is perfect for a date night and anyone who can understand cheesy movie references from the last 50 or so years. "Rango" is also perfect for college students looking to take a break from studying for exams, or as a way to get away from the family during spring break. t&c;